Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–1914 (Contextualizing Art Markets) Kindle Edition

★★★★★ 4.7 20 reviews

US$9.55
Price when purchased online
Free shipping Free 30-day returns

Sold and shipped by woodbury.org.au
We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here.
US$9.55
Price when purchased online
Free shipping Free 30-day returns

How do you want your item?
You get 30 days free! Choose a plan at checkout.
Shipping
Arrives May 22
Free
Pickup
Check nearby
Delivery
Not available

Sold and shipped by woodbury.org.au
Free 30-day returns Details

Product details

Management number 219174148 Release Date 2026/05/03 List Price US$9.55 Model Number 219174148
Category

Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (1823–1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d'Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art. Read more

XRay Not Enabled
ISBN13 978-1501344664
Edition 1st
Language English
File size 13.2 MB
Page Flip Enabled
Publisher Bloomsbury Visual Arts
Word Wise Not Enabled
Print length 461 pages
Accessibility Learn more
Screen Reader Supported
Part of series Contextualizing Art Markets
Publication date September 17, 2020
Enhanced typesetting Enabled

Correction of product information

If you notice any omissions or errors in the product information on this page, please use the correction request form below.

Correction Request Form

Customer ratings & reviews

4.7 out of 5
★★★★★
20 ratings | 8 reviews
How item rating is calculated
View all reviews
5 stars
86% (17)
4 stars
2% (0)
3 stars
1% (0)
2 stars
1% (0)
1 star
10% (2)
Sort by

There are currently no written reviews for this product.